The Chinese Artist Who Is Bringing Advertising Logos To Bygone Images – Wang Guangyi
Though Wang Guangyi’s work has erroneously been associated with Chinese Political Pop, in reality one of the main themes of his art can be found in its relationship to the transcendent. Juxtaposing revolutionary images with consumer logos, Wang’s canvases provoke with their duplicitous message, highlighting the conflict between China’s political past and commercialised present.
Stylistically merging the government enforced aesthetic of agitprop with the kitsch sensibility of American pop, Guangyi’s work adopts the cold-war language of the 60s to ironically examine the contemporary polemics of globalisation.
Through his critique, Guangyi’s paintings weave intricate narratives, implicating the role of the artist as an active participant in economic and social policy. Guangyi treads a very delicate line between moral dictum and capitalist endorsement; the interpretation of his paintings alternates with the subjectivity of context. Amalgamating, confusing, and blurring opposing ideological beliefs, Guangyi’s billboard-sized canvases readily sell out national valour, while simultaneously devaluing status symbol luxury for the proletarian cause.